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Dział bibliografii:
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Literatury obce
- Literatura powszechna
- Historia literatury (powszechna) |
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Rodzaj zapisu:
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książka w haśle rzeczowym |
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Tytuł:
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PASE Papers in Literature and Culture. Proceedings of the Ninth Annual Conference of the Polish Association for the Study of English. Gdańsk, 26-28 April 2000
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| Osoby współtworzące: |
Ed. by Joanna Burzyńska and Danuta Stanulewicz |
| Wydawnictwo: | Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego
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Rok wydania:
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2003 |
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Opis fizyczny książki:
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495 s. |
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Adnotacje:
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[Zawiera m.in.:] Plenary lectures: - Helmut Bonheim: A sociological model for the investigation of literary works [m.in. na przykładzie twórczości Williama Szekspira]. - Philip Hobsbaum: Four Scottish women poets [z tekstami wierszy omawianych poetek; dot. aut.: Liz Lochhead, Jackie Kay, Kathleen Jamie, Kate Clanchy]. - Colin Wilcockson: Father-directors, daughter-performers in Shakespeare [dot. m.in. motywu relacji między ojcem a córką]. * Papers in Literature: - Patrycja Baran: Real games and fictional players (Game structures in contemporary fiction) [dot. m.in. motywu gry, szachów oraz labiryntu w tekstach literackich; dot. m.in. aut.: Vladimir Nabokov, Lewis Carroll, Thomas Pynchon]. - Marek Błaszak: The use of sailors' jargon outside its natural context in the sea novels of Captain Frederick Marryat. - Eliza Borkowska: Blake's sublime allegory of nature. - Grażyna Branny: "Delayed repercussions" of Conrad in Faulkner's "Absalom, Absalom!". - Nancy Burke: Post colonial identity as portrayed in English Canadian writing [dot. literatury XIX i XX w.]. - Anna Cichoń, Edward Szynal: "A Sort of Life" - Graham Greene's autobiographial writing. - Monika Coghen: Wordsworth's "The Borderers" (Of Gothic narratives and the "strange spectacle" of the human mind at the time of the French Revolution). - Ilona Dobosiewicz: Realistic grounding of the revivification experiment in George Eliot's "The Lifted Veil". - Rafał Dubaniowski: The exiled imagination (The self and the north in English literature of the 1930s) [dot. m.in. aut.: Wystan Hugh Auden, Louis MacNeice]. - Jacek Fabiszak: "Ay, in the catalogue ye go for men" (Persuasion in Shakespeare's plays) [dot. m.in. retoryki dramatów Szekspira]. - Julia Fiedorczuk: The magic of language (Laura Riding and Raymond Roussel) [dot. języka w twórczości Riding i Roussela]. - Krzysztof Fordoński: Self-imposed exile as a happy ending (A study in the fiction of E. M. Forster). - Christopher Garbowski: Tales of Gondor (Tolkien's mythopo eic city). - Irene Gilsenan Nordin: The trope of metamorphosis in the poetry of Eilean Ni Chuilleanain. - Beata Jaczewska: The use of first person narrative in English Romantic novel [dot. m.in. wpływu poezji na powieść]. - Jerzy Jarniewicz: Mourning and naming (Michael Longley's elegies from Northern Ireland). - Ewa Kłębowska-Ławniczak: The use of biography in two modern plays ("The Invention of Love" [Toma Stopparda] and "Antoni S., czyli Wieża Babel" [Waldemara Okonia]). - Anna Kędra-Kardela: Frank O'Connor's "Masculine Protest" (A revised story). - Aleksandra Kędzierska: Dylan Thomas's birthday poems. - Joanna Kokot: Who tells the story? Third person narration in "A Study in Scarlet" and "The Valley of Fear" by Arthur Conan Doyle. - Dorota Kołodziejczyk: Place and order - on the impossible ontology of the postcolonial condition [dot. m.in. ks.: V. S. Naipaul: The Mimic Men]. - Andrzej Kowalczyk: "Heuene Halle" (Images of heaven in the English morality plays). - Dagmara Krzyżaniak: Sociolinguistics and the reading of contemporary plays [dot. teorii zagadnienia, takżew kontekście myśli feministycznej]. - Adam Kunysz: Reading and interpretation in A. S. Byatt's "Possession". - Magdalena Kwinta: Real and imaginery New York in E. L. Doctorow's "The Waterworks". - Michał Lachman: Narrative techniques in "The Loves of Cass McGuire" by Brian Friel. - Halszka Leleń: Fictionality of space motifs in the Wessex Novels [Thomas Hardy: The Return of the Native. The Mayor of Casterbridge. Tess of the d'Ubervilles]. - Małgorzata Łuczyńska: Blake's Jesus (Humanity divine). - Joanna Maciulewicz: The historical novel and the transformation of the historiography - an attempt at the redefinition of the genre [od czasów Waltera Scotta do literatury współczesnej]. - Mariusz Marszalski: Maxwell Anderson's plots - the art of the dramatic. - Dominika Materska: Playing dolls ("The Uncanny" in "The Smile" by J. G. Ballard and "The Loves of Lady Purple" by Angela Carter). - Zygmunt Mazur: Wi lliam Styron's "The Confessions of Nat Turner" (A modern controversy between literature and history). - Monika Mazurek: Frances Hodgson Burnett's "The Secret Garden" as a version of Yorkshire Eden. - Anna Mirosławska-Olszewska: The role of the Book of Genesis in "The Silmarillion" by J.R.R. Tolkien. - Fathi Neifar: Forms of irony in "Pride and Prejudice", "Mansfield Park" and "Emma" [nt. twórczości Jane Austen]. - Stankomir Nicieja: The chronicles of social decline (The collapse of London as presented in Martins Amis' "Money", "London Fields", and "The Information". - Anna Pietrzykowska: The role of perception in "A Midsummer Night's Dream" (The discolation between "eyes" and "mind" in Helena's soliloquy. - Joanna Piwowarska: The image of King David in Byron's "Hebrew Melodies". - Joanna Podhorecka: "Let the frame of things disjoint" (Evil in "Macbeth" and the disintegration of identity). - Patrycja Poniatowska: Female body in Ben Jonson's "Epicoene". - Magdalena Pypeć: The problems of communication in Sterne's "Tristram Shandy". - Danuta Pytlak: The Polish-American family in Suzanen Strempek Shea's "Hoopi Shoopi Donna" (Between love and antagonism). - Agnieszka Rasmus: Metatheatricality in "Hamlet" (Role-playing-within-the-role). - Agnieszka Romanowska: The model of theatrical potential of a dramatic text in translation of Shakespeare's plays [m.in. nt polskich przekładów Szekspira]. - Agnieszka Setecka: The Victorian Age revived [nt. autorów z 2. połowy XX wieku: Jean Rhys, Peter Ackroyd]. - Krystyna Stamirowska: Two English journeys ("The Unfortunates" by B.S. Johnson and "The Unconsoled" by Kazuo Ishiguro. - Małgorzata Strach: The function of genre mixture in Peter Ackroyd's "English Music". - Anna Maria Tomczak: Nonverbal behaviour of the characters in Iris Murdoch's novel "The Nice and the Good". - Anna Walczuk: Time, place and direction in the fiction of Muriel Spark. - Jean Ward: "Write what it is to be man" (Art and life in the poetry of R.S. Thomas). |
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Numer zapisu:
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1056629 (TU) |
English version
