|
Dział bibliografii:
|
Teatr, film, radio, telewizja
- Teatr
- Teatr od 1945 roku
- Teatr w latach 1945-1989 |
|
Rodzaj zapisu:
|
recenzja |
| Autor: | Sielicki Krzysztof - szczegóły
|
|
Tytuł:
|
Polska "alternatywa" z amerykańskiej perspektywy
|
|
Źródło:
|
Teatr, 1997 nr 6 s. 51-52 - szczegóły |
|
Numer zapisu:
|
434417 (BL) |
Dotyczy zapisu:
|
książka w haśle rzeczowym: Alternative theatre in Poland. 1954-1989, Introduction to the series. - List of plates. - Acknowledgements. * Introduction: Background in Polish theatre history. The paradox of censorship. * 1. The beginnings of Polish alternative theatre: The Polish October. - Postwar theatre.- Student. Other students theatres. - Kantor: A non-student alternative. - Fifties alternative theatre. * 2. Expansion, experimentation, de-politicization: The small stabilization. - The Polish theatre of the absurd. - Student theatre 1958-1968: Satiric theatres and cabarets. Dramatic theatres. Visual and pantomime theatre. Poetry theatres. - Grotowski: Between student and professional theatre. - Political retreat but artistic advancement. * 3. The full voice years: The events of 1968. - Mainstream auteur theatre. - Student theatre 1970-75: Wrocław: Teatr Kalambur. Kraków: Teatr STU. Poznań: The Theatre of the 8th Day. Łódź: Teatr 77. - Part of the worldwide alternative theatre movement. * 4. Decline but not quite fall: KOR, Solidarity, Martial Law. - Mainstream theatre becomes politicized. - Alternative theatre 1976-1989: The generation of '68: The Theatre of the 8th Day. The KOR generation: Teatr Provisorium. The martial law generation: The Orange Alternative. - part of decline of the worldwide alternative theatre. - Movement? * 5. The avant-garde of the alternative: Word experiments: Pleonazmus. - Visual theatre / Performance art experiments: Scena Plastyczna. Akademia Ruchu. - Experiments in the antropology of theatre Gardzienice. - Perhaps all is not lost, after all. * Conclusion: The aftermath of 1989. [1996] - szczegóły |
English version
