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Dział bibliografii:
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Literatury obce
- Literatura brytyjska i irlandzka
- Hasła szczegółowe (brytyjska i irlandzka)
- Hasła osobowe (brytyjska i irlandzka) |
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Rodzaj zapisu:
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książka o twórcy (przedmiotowa) |
| Hasło osobowe: | Shakespeare William - szczegóły
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| Autor: | Mydla Jacek - szczegóły
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Tytuł:
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The dramatic potential of time in Shakespeare
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| Wydawnictwo: | Katowice, Edmonton: Wydawnictwo Uniwersytetu Śląskiego
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Rok wydania:
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2002 |
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Opis fizyczny książki:
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175 s. |
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Seria wydawnicza:
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(Prace Naukowe Uniwersytetu Śląskiego w Katowicach; nr 2055) |
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Adnotacje:
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Preface: The design of the analysis. I. Introduction: Time and drama. The drama of time: 1. Time in literary criticism. 2. Two main approaches to the problem of time in Shakespeare. 3. Shakespeare and the history of time. 4. Shakespeare and the emblems of time. 5. Shakespeare and the philosophy of time. 6. Anachronistic time. * The time of drama: 1. Three aspects of time in drama. 2. Modes of representing time: Showing and telling, or mimesis and reference. 3. Telling the time and telling about time, or time represented verbally. 4. Time shown by telling, or temporal mimesis through speech. 5. Showing time: Dramatic time. a) Duration and the dramatic future, b) Units of action, the sequence, c) The dramatic question, reporting, onstage and offstage worlds, d) The dramatic hook-up. * ?Diverse paces with diverse persons?, or double time. ?Tomorrow? Oh, that?s sudden!?, or of the relative unity of time. Conclusions. II. Time as poetic subject and epic hero. 1. The rhetoric of time. 2. Time?s office. 3. Time, copesmate of ugly Night. 4. Swift subtle post, carrier of grisly care. 5. O time, cease thou thy course. 7. The giddy round of Fortune?s wheel. 8. To unmask falsehood and bring truth to light. * The time of rhetoric: Attending time?s leisure. This helpless smoke of words. How slow time goes in time of sorrow. Conclusions. III. Comic time: Verbalised time in the exposition of ?Love?s Labour?s Lost?. 1. Spite of corm orant devouring Time. 2. Till painful study shall outwear three years. 3. That?s too long for a play. * The seizing of occasion in the climax of ?All?s Well That Ends Well?.The instant and its the forward top. This exceeding posting day and night. Sixteen businesses, a month?s length a-piece. And time revives us. IV. Tragic time. 1. Violated time in the exposition of ?Macbeth?: Hours dreadful and things strange. Fruitless crown and barren sceptre. The future in the instant. The present horror and the time, which now suits with it.* * Fatalistic time in the climax in ?Romeo and Juliet?: The yoke of inauspicious stars. Love-devouring death.Most miserable hour that e?er time saw. Nothing slow to slack this haste. Conclusions. V. Time?s multi-drama : A meta-dramatic reading of ?The Tempest?. 1. The time ?twixt six and now'.2. Dost thou forget ? 3. Th?occasion speaks thee.4. Correspondent to command. 5. The powers, delaying, not forgetting. * Streszczenie. |
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Numer zapisu:
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924223 (ZS) |
English version
