|
Dział bibliografii:
|
Literatury obce
- Literatura powszechna
- Historia literatury (powszechna) |
|
Rodzaj zapisu:
|
książka w haśle rzeczowym |
|
Tytuł:
|
Structure and uncertainty
|
| Osoby współtworzące: |
Red. Ludmiła Gruszewska Blaim, Artur Blaim |
| Wydawnictwo: | Lublin: Maria Curie-Skłodowska University Press
|
|
Rok wydania:
|
2008 |
|
Opis fizyczny książki:
|
285 s. |
|
Adnotacje:
|
Andrzej Zgorzelski: Structure and uncertainty. - I. (Mis)representing the real. Artur Blaim: William Shakespeare's Measure For Measure: Perfect signs for imperfect bodies... - Urszula Terentowicz-Fotyga: Meaning within and without the real. Rushdie, Sebald and the postmodern liquidation of reality. - Zofia Kolbuszewska: Looping out of a postmodern vicious circle: White Noise, (neo)Romantic child and autopoetics. - II. Permeable boundaries. Barbara Kowalik: Permeable boundaries of medieval English lyrics. - Jadwiga Węrodzka: Uncertainty of interpretation: the reader as a dead body in two medieval death lyrics. - Karolina Trapp: Structure and uncertainty in R.S. Thomas's ?Country Church?. - Andrzej Sławomir Kowalczyk: Tempting God, tempting man, tempting the reader: Interpretative uncertainty in The Three Temptations by Charles Williams. - Piotr Dembiński: Between sensation and detective fiction: Wilkie Collins's The Moonstone. - Joanna Kokot: Constructional peculiarities of The Three Impostors by Arthur Machen. - Marta Komsta: Structural anxieties in Iain Sinclair's Lud Heat. - III. Fictional Indeterminacies. Justyna Galant: Uncertain subjectivity of female characters in John Marston's Insatiate Countess and Sophonisba. - Barbara Klonowska: Celebrating uncertainty: Jeanette Winterson's The Passion and Sexing the Cherry. - Tomasz Wiśniewski: An expression of the wish to finish: Samuel Beckett's Stirrings Still. - Katarzyna Pisarska: Worlds in a loop: Iain Banks's Walking on Glass. - IV. (Dis)empowered silences, polyphonic (un)certal. Olga Kubińska: ?Shall I speak for you??. (Dis)empowered silences in Shakespeare. - Sławomir Studniarz: A literary structure and radical intertextuality. On the semantic complexity of John Gardner's ?The King's Indian?. - Grzegorz Maziarczyk? ?Confusion too is company up to a point?: Indeterminacy as the dominant of Samuel Beckett's Company. - Ludmiła Gruszewska Blaim: 'Shall we follow'?. Polyphonic uncertainties in J. M. Coetzee's Disgrace. |
|
Proweniencja:
|
Rekord powstał w oparciu o otwarte dane bibliograficzne Biblioteki Narodowej (https://data.bn.org.pl) |
|
Numer zapisu:
|
1358342 (IMP) |
English version
