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Dział bibliografii:
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Literatury obce
- Literatura brytyjska i irlandzka
- Historia literatury (brytyjska i irlandzka) |
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Rodzaj zapisu:
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książka w haśle rzeczowym |
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Dział bibliografii:
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Historia literatury (amerykańska) |
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Tytuł:
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Perspectives on literature and culture
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Język:
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eng |
| Osoby współtworzące: |
Red. Aleksandra Kędzierska, Anna Kędra-Kardela, Leszek S. Kolek |
| Wydawnictwo: | Lublin: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
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Rok wydania:
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2004 |
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Opis fizyczny książki:
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344 s., Mater. z 11 konferencji PASE zorg. w Kazimierzu k. Lublina w 2001 r. |
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Adnotacje:
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[Zawiera m.in.:] - Marek Błaszak: Jane Austen and the Navy. A Study of Her Letters. - Ilona Dobosiewicz: The Conflict between Artistic Vocation and Orthodox Feminity in George Eliot's "Armgart". - Radosław Dolecki: Artificial Souls in Artificial Life in American Cyberpunk. -Dagmara Drewniak: The Idea of Belonging and 'Re-evisioned Homelands' in the works of Hanif Kureishi. - Ludmiła Gruszewska-Blaim: The Generic Knot of Jerzy Kosinski's "Passion Play". - Wacław Grzybowski: Darkness and Light in Emily Dickinson's Poetry and Spirituality. - Joanna Janecka: The Unit of Translation: On Sound Images in Gerard Manley Hopkin's "The Leaden Echo and the Golden Echo". - Anna Kęda-Kardela: The Literary Work and Its Reader. A Narrtological Analysis of ELizabeth Bowen's "The Cherry Soul". - Aleksandra Kędzierska: "And I must have the centre in my heart": a Study in the Poetry of Gerard Manley Hopkins. - Wojciech Klepuszewski: Far from the Battlefields: The War Poetry of Robert Graves. - Barbara Klonowska: "Roughly Speaking": Problems with Defining Magic Realism. - Joanna Kokot: Kipling's Preteritions. - Zofia Kolbuszewska: Bernard Malamud's "Naked Nude": A Portrait of the Artist as a Thief. - Barbara Kowalik: Teaching Poetry Through Translation: The Case of Middle English Lyrics. - Klaudia Łączyńska: Herbert Methodised: John Wesley's Imitation of George Herbert's "The Collar". - David Malcom: Some Aspects of Genre Evolution in the British Novel, 1980-2000. - Mariusz Marszalski: Maxwell Anderson's Character Making: Beyond Realism. -Dominika Materska: Realms of the Thanatos: J. G. Ballard's "The Drowned World": in the Light of Sigmund Freud's "Beyond the Pleasure Principle". - Grzegorz Maziarczyk: The "Skaz" Convention in Kazuo Ishiguro's "The Remains of the Day". - Marta Mazurek: A Memoir if the Man Who Wasn't There: Paul Monette's "Becoming a Man; Half a Life Story". - Wojciech Nowicki: Smolett Smells: Defining Space through Olfaction. - Magdalena Ożarska: Christopher Smart's All-Pervasive Concept of Praise and Adoration as the Backbone of this "Song to David". - Katarzyna Pisarska: The Right of Passage: Crossing the Boundaries in Angela Carter's "Heroes and Villains". - Magdalena Pypeć: Robert Browning's Picture of Romance in "Porphyria's Lover". - Sławomir Studniarz: The Treatment of Traditional Narrative Componets in "Birdy" by William Wharton. - Anna Maria Tomczak: 'Our social shells, weapons, challenges and visible insults': The Sartorial Behaviour of Female Charecters in Iris Murdoch's Novel "The Sacred and Profane Love Machine". - Jadwiga Uchman: Harold Pinter's Specific Brand of the Theatre of the Absurd and His Anti-totalitarian Plays. - Ryszard Wolny: Paracelsus: Robert Browning's Übermensch". - Andrzej Zgorzelski: Sound and Sense: On the Phonosemantic Analysis of Poetry. |
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Proweniencja:
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Rekord powstał w oparciu o otwarte dane bibliograficzne Biblioteki Narodowej (https://data.bn.org.pl) |
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Numer zapisu:
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1298818 (IMP) |
English version
